The most memorable nonfiction I read in 2017

Below are some thoughts on some of the nonfiction I read in 2017:

Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America by John M. Barry (1997)

This book is an incredible feat about the horrifying attempts of the 19^th century to tame the Mississippi River. I read it over the summer, and while the book is about the double-edged sword of engineering, the book is also about the wild tides of racism and progressive forces at the start of the 20^th century. I read about the flood of 1927 as men of all ages and of mostly one race burned tiki torches and marched like idiots through Charlottesville in the night. I’m not sure a single book could be so depressingly clear about the snakes writhing at America’s roots and how they have always been there, albeit more dangerous in some times than others. Historical scenes from the 1927 flood include white men, the bosses, holding their black employees hostage atop the levees, fearing black flight from white authority. These scenes took place decades after emancipation and decades prior to white flight from the urban landscape. History isn’t so much a circle or a corkscrew as it is a river given to unpredictable flood cycles. You can grow desperate or satisfied in that awareness.

The Hitchcock Murders by Peter Conrad (2000)

If you want to know more about how Alfred Hitchcock’s film works, this book will do that. For a teacher looking to better explain how techniques and thematic concepts cross paths, this book provides both language and substance for proving you’re not just making it all up, even if you sometimes are.

Better yet, this book crossed my path when a student handed it to me on her last day of class. I am eternally grateful—my students since then maybe less so, for I am punishing them with excerpts about the links between cinematic cuts, appetite, and violence. Bon appètit.

Something Must Be Done About Prince Edward County: A Family, a Virginia Town, a Civil Rights Battle by Kristen Green (2015)

My wife and father both read this book before I did. I read it on their recommendations and simply from observing how moved they were in reading the book. My wife is from Massachusetts and so everything is Southern to her except for polar bears. My dad, however, was born and raised in Altavista, Virginia, near Lynchburg. My mom was born in Atlanta, lived in Charlotte, and was raised in Halifax County, Virginia. I was born in Kentucky, lived in Georgia, and graduated high school from Fredericksburg, Virginia. I bring all this up because Green’s book tells a rather familiar story: people will go to great lengths to keep racist traditions and prejudices alive and acceptable. I bring all this up because those great lengths happened and do happen in places other than Alabama and Mississippi. They can happen in Prince Edward County. They can happen in Charlottesville. They can probably happen elsewhere too.

Just Around Midnight: Rock and Roll and the Racial Imagination by Jack Hamilton (2016)

The opening essay is about the shared musical territories of Sam Cooke and Bob Dylan. Other chapters discuss Aretha Franklin, Janis Joplin, and Dusty Springfield. The conclusive essays focus on Jimi Hendrix and The Rolling Stones. The information is nonstop, and the research is thorough. You will look either at music and artists differently. Certain truths will unravel, and you will hear certain songs as something else. This difference will not be necessarily better or worse, but it will be different and you will be forced to think about what the hell is rock ‘n roll.

Also, Hamilton’s not a bad follow on Twitter if you look him up.

Missoula: Rape and the Justice System in a College Town by Jon Krakauer (2015)

I have only read two of Krakauer’s books. This one and Into the Wild. If you want the best passages from Krakauer, Missoula is not necessarily the book to read. Missoula delivers a scathing case study pinpointing why and how the justice system fails the victims of sexual assault and rape: In the charging of just about any other crime the perpetrator is treated as a suspect and the victim as a victim. However, the opposite is often true when police departments investigate crimes of sexual assault and rape or when juries listen to lawyers deliberate.  

Beale Street Dynasty: Sex, Song, and the Struggle for the Soul of Memphis by Preston Lauterbach (2015)

I read Lauterbach’s book so I could write With the Memphis Blues Again. Somewhere on the book’s jacket a critic compares it with HBO’s Boardwalk Empire. Seems true. Except Beale Street Dynasty contains more lives, more decades, more history, and more stories, as it traces the history of Beale Street’s development from the Civil War era to the middle of the twentieth century. I once vowed to read a presidential biography a year. I have not kept that vow. But I do think I would be more likely to read at least one American city’s biography per year. Memphis was a decent place to start.

Jerry West: The Life and Legend of a Basketball Icon by Roland Lazenby (2009)

A magnum opus about Jerry West. A tale rooted in colonial Virginia, backwoods West Virginia, and a dangerously depressing search for perfection proves West isn’t just a logo for the NBA, but a perfectly named logo for Manifest Destiny.

Michael Jordan: The Life by Roland Lazenby (2014)

A magnum opus about Michael Jordan. While the whole book is really a case study about the modern athlete and the makeup of Alpha personalities, the passages about Jordan’s grandfather and life along those pinebrushed Carolina rivers really are the most intriguing.

Flight Maps: Adventures with Nature in Modern America by Jennifer Price (1999)

Going into it, I expected a great deal about flamingos. I was not wrong. However, I now find myself spending an equal amount of time mourning passenger pigeons and shopping malls.

Levels of the Game by John McPhee (1969)

The man writes better than well on tennis.

Reality is Not What It Seems: The Journey to Quantum Gravity by Carlo Rovelli (2017)

I now know what a 3-Sphere is, but please don’t ask me to explain it.

How to Watch a Movie by David Thomson (2015)

I just jot down movies to watch while reading Thomson and grow angry at his sentences being better than mine. Then I assign Thomson to students, so we can all be angrily humbled together.

String Theory by David Foster Wallace (2016)

The man writes well on tennis.

The Fire This Time edited by Jesmyn Ward (2016)

Adapting its title from James Baldwin’s The Fire Next Time, The Fire This Time is a strong collection of essays and poems that serves as a primer on African-American perspectives in the 21^st century. I read it sometime late last winter, and it appeared on a reading choice list for my English 11 students. I probably didn’t give them enough guidance in working through each essay, but I could be wrong. My personal favorites in the collection are Kiese Laymon’s “Da Art of Storytellin’ (a Prequel)” and its endless thoughts on Outkast, Rachel Kaadzi Ghanash’s “The Weight” because of how it aligns voices from the past with the present, and maybe “Composite Pops” by Mitchell S. Jackson. But, if I were to read it again, I’m not doubtful that list would change.

After all, the list is always changing.

Bryan Harvey tweets @Bryan_S_Harvey.

The most memorable fiction I read in 2017

Looking back on all the books I read in 2017, these are the ones that weigh the heaviest, meaning I think about them during class changes, on long runs, in the shower, or while making peanut butter and jelly sandwiches. They weren't all published in 2017, but a handful were. As always, thanks for reading.  

Indian Killer by Sherman Alexie (1996)

This book is so many things: American satire, urban crime thriller, reservation punchline after reservation punchline, artifact from America’s ongoing culture wars, the collected chromosomes of so many shared literary lineages, from Leslie Marmon Silko to Washington Irving and Ernest Hemingway. The plot moves quickly through Noir alleys and collegiate classrooms, and then Alexie lands an Epilogue from the top rope that makes all the pain and tragedy from the book’s plot shrivel into nothing more than one rotten fruit born of many, and perhaps that’s the saddest truth of all: “The tree grows heavy with owls” (420). 

On Federer's watch

The greatest athletes often possess a knack for holding onto their talents longer than the sports world anticipates. Their focus and determination outweighs whatever focus the mob can muster. The late success of Roger Federer is only surprising when the crowd blinks first.

The Wonder in 'Westworld,' a first impression

The first, but probably not the last thing I write about WestWorld:

The show Westworld begins with a dejected Dolores Abernathy sitting naked on a stool. One arm hangs limply. Her lap cradles the other. Her knees lean in on each other, due to her pigeon-toed feet. Her blonde head tilts to the side, and, in a mostly dark room, she is the epitome of defeat and vulnerability. A fly crawls across her eye. She does not react. She is not irritable. She is not human.

When winter never came, and the books read waiting

I'd say blow the dust off the blog before continuing, but I'm not sure digital platform even collect dust. Anyway, the following are impressions of some books I read over the last few months when I wasn't updating the LCB blog with any sense of regularity: 

Books I'll remember having read in 2016

Looking back at the books I read in 2016, these are the ones that left the greatest impressions:

Boys Among Men: How the Prep-to-pro Generation Redefined the NBA and Sparked a Basketball Revolution by Jonathan Abrams (2016)

Yes, the book is obviously about basketball, but it’s also about how individuals in the United States go about careening through the ephemeral dreamscape we call the American Dream. And it’s about basketball.

The Sellout by Paul Beatty (2015)

This novel is almost two years old. I read it a year ago. Since then, it has won the Man Booker Prize, so you probably don’t need me for an introduction to Beatty’s work. Still, the book reminded me some of Ishmael Reed’s Mumbo Jumbo—there’s something not quite whole about it, even as it tucks joke after joke inside silhouettes of the Little Rascals and that time in the United States when the United States couldn’t decide what to do with or how to think about blackness. And then that laughter you hear when you’re reading a book all alone becomes altogether too real and too strange and you realize you shouldn’t be laughing because these funny circumstances aren’t so funny. They are keeping the past alive in ways that can’t be healthy. And you laugh. And you wonder why you’re laughing.

The Domino Diaries: My Decade Boxing with Olympic Champions and Chasing Hemingway’s Ghost in the Last Days of Castro’s Cuba by Brin-Jonathan Butler (2015)

Read the title and then ask, what isn’t this book about?

Bury My Heart at Wounded Knee: An Indian History of the American West by Dee Brown (1970)

For reasons I cannot explain, I read this book in the delivery room of my first child. Anyway, it later became the foundation of my AP and English 11 curriculums this past fall. I only regret not reading and teaching it sooner.

Maps and Legends: Reading and Writing along the Borderlands by Michael Chabon (2009)

Whether his projects succeed with daring or falter under the weight of his sentences, Chabon ultimately succeeds, at least for me, in his ability to inspire. After reading one of his novels, I always want to try and write something I haven’t quite tried before. Also, the essays in Maps and Legends definitely work, and the last essay in the bunch is ready made to sit beside Washington Irving’s “The Legend of Sleepy Hollow” or Life of Pi in a high school English curriculum.

Evicted: Poverty and Profit in the American City by Matthew Desmond (2016)

Walk a mile in other people’s shoes. Maybe it would be better to live a month in other people’s apartments. While I read Matthew Desmond dissection of urban America's ailments, specifically the traps of poverty and unaffordable housing, not once did I hear one of his proposed solutions mentioned in the course of the 2016 Presidential Debates between Clinton and Trump, as if both candidates existed on a stage divorced from the city streets, kitchen tables, and school desks that make up the American reality. Sadly, that’s something not likely to be remedied anytime soon, which makes Desmond’s work even more impressive: he’s finding solutions where most aren’t even seeing the problems.

Searching for John Hughes: Or Everything I Thought I Needed to Know about Life I Learned from Watching ‘80s Movies by Jason Diamond (2016)

I really enjoyed reading Diamond speak about how he dedicated himself to a passion of his, and when his efforts failed him, he turned something into nothing. The keyword from the title really is “searching.” I took a lot away from this book on a personal level I hope to detail at some later time, possibly.

Heroes of the Frontier by Dave Eggers (2016)

I always tell students how Eggers is a sneaky writer. He’s not writing confusing sentences. He isn’t loading up on SAT words. He doesn’t make obvious allusions. Instead, he presents what appears to be simple and lulls the reader into a sort of sleepy comfort. That is, unless one has already read Eggers or is naturally suspicious of narrators and human wisdom. If the latter is the case, then his characters become worthy of ridicule. What makes for an even better reading of his material is when we as readers share the traits of his subjects, fictive or not, because then our impulse to critique turns inward and we have to face our worst or at least most foolish selves. Aside from constantly finding new ways to play this game with his readers, Eggers continues to grow in his ability to create cinematic set pieces and Heroes of the Frontier contains some of his best.

Sudden Death by Àlvaro Enrigue (2016)

While I probably didn’t understand a lot of what Enrigue does in Sudden Death, this translation of his 2013 Spanish novel prompted and instructed me on how to finish Everything That Dunks Must Converge, especially the introductory chapters for Act One, Act Two, and Act Three.

Japan 1941: Countdown to Infamy by Eri Hotta (2013)

I wouldn’t exactly describe this book as an entertaining read, but it fascinated and frightened me nonetheless. Essentially, it is a book about how a country can lose control of its capacities for reason by ignoring both credible sources of knowledge and the needs of its people, trading in these pillars of stability for pride and pettiness. Also, and perhaps just as interesting, is how Hotta’s depiction of prewar Japan casts the Japanese attack on Pearl Harbor as an act of desperation rather than as something simply cunning and militaristic. In other words, countries that can’t face their own weaknesses end up doing stupid shit they regret for decades.

A Brief History of Seven Killings by Marlon James (2015)

You pick up James’ novel and there’s heft to it. You read the description on the jacket and you latch onto the familiar, which also happens to be the iconic. You latch onto that name you know, Bob Marley. You hum part of a refrain. Then another. You hum fragments from Legend (it played at all the high school parties you vaguely remember). Then you wonder how a novel about him that’s not really about him but a place and a time that is really something else altogether could consist of so many heavy pages. What you hold in your hand—the literal weight of pulp and ink—is something akin to an island lost in time. You flip the pages back and forth. You reread passages. You’re searching. You’re hoping it doesn’t end, and you’re searching. In the end, you find yourself in a small New York diner. You’re reading the names of Jamaican foods. And by this time, they almost read with an old familiarity, like you can remember how they taste—and yet, you’ve never tasted them, never been to the island, never even left your snug living room. And so then you know Marlon James is a magician, and he has ripped out the center of your middle class life in the middle of the United States’ eastern seaboard and sunk it deep in the blue Caribbean tide. And you will never find your way back to believing Bob Marley is the whole of the story because the book will wake you with the weight of the worlds you never knew, that you failed to know, that you could not have known without this book or some other mother to hold you.  

The North Water by Ian McGuire (2016)

The book jacket makes comparisons to Herman Melville and Cormac McCarthy, and I get that. McGuire’s book, after all, contains a sea voyage and violence. But I also think critics and readers have started throwing around McCarthy comparisons a bit too lightly. In some ways, doing so is a compliment to the man, but it’s also kind of lazy. Other writers do exist. Ian McGuire might even be one of them, and his book’s journey from shipyard crime scene to polar bear cage is worth a read. It might remind you of McCarthy and Melville. It might remind you of Robert Louis Stevenson or Gary Paulsen. Maybe you’ll read those authors and think of Ian McGuire. 

The Sport of Kings by C.E. Morgan (2016)

Morgan’s second novel is an ambitious one. The narrative essentially follows three generations in the Bluegrass state, which rather forcefully causes us to think of plotlines and bloodlines and people and horses as all being intertwined. In this sense, the book feels a bit like Steinbeck’s East of Eden, at least in the scope of the project. There are also passages that read like Cormac McCarthy and William Faulkner (I guess I make lazy comparisons too). And, in a sense, the real jockey here is Morgan because she manages to stay on top of her ambitious narrative, steering and manipulating all of its unwieldy sinew and muscle and bone around the track, relaying a rather furious send up of genteel Southern honor and its eternal bedfellow, racism.

A Good Man is Hard to Find by Flannery O’Connor (1955)

What can I say here about Flannery O’Connor that hasn’t already been said? I read most of this book with my newborn daughter strapped to my chest. I want her to understand the south’s underpinnings, its deplorables and unmentionables, and how those cruelties are in her blood and therefore she need own up to them. God, I’m already ruining her life, aren’t I? 

Thrill Me: Essays on Fiction by Benjamin Percy (2016)

I don’t read a lot of craft books, but this one made a lot of sense to me, plus the eyeball on the front cover hypnotized my infant daughter. What really clicked for me in Percy’s writing tips is how he aligns writing fiction with iconic moments in cinema. I used to teach creative writing, but I haven’t for a few years now. I have, however, started teaching a Film Studies class. Strangely, and unexpectedly so, I think the latter has helped me improve my writing more than the former. I could also be gravely mistaken. Anyway, Percy’s book, published via Graywolf Press, would make an excellent resource for either high school literature or creative writing teachers.

Dreamland: The True Tale of America’s Opiate Epidemic by Sam Quinones (2015)

This book takes on a lot. Its concerns traverse national borders as well as decades. It examines the fraying of family relationships, the disintegration of ethics in the medical profession, the vulnerabilities that come with having everything, and the desperation born from having nothing at all. Sometimes governments and institutions fail people because they cling too tightly to power. Sometimes they fail because they do nothing at all. This epidemic appears to be more of the latter, at least in terms of proportion. After all, humanity’s desire for easing its pain is nothing new, but once upon a time, doctors may not have so easily prescribed manufactured poisons to an entire generation. There is a lot here. You should read it. Then we should all figure out what might possibly be done to help those in need. America’s pain needs more than slogans and tax breaks: it needs professional help.  

The Brothers Vonnegut: Science and Fiction in the House of Magic by Ginger Strand (2015)

Sometimes the world is a stranger place than anything the writer might imagine. The world in Kurt Vonnegut’s books, however, at least as far as I knew, always flaunted such maxims. The island in Cat’s Cradle is a weird place, as are the travel habits of Billy Pilgrim in Slaughterhouse Five. Then you read Strand’s book and how it places Kurt’s literary work side by side with his brother’s scientific work at General Electric, and you find that the imagination of Kilgore Trout may not be strange enough to articulate the truth of it all.  

The Coyote’s Bicycle: The Untold Story of 7,000 Bicycles and the Rise of a Borderland Empire by Kimball Taylor (2016)

Place an obstacle in front of the human imagination. Tell a person that history and politics have decided a particular fate for them and their families—that parts of the world are forever roped off to them—unless they participate by certain imaginary rules, and they will invent new rules. They will build pathways over, under, and through the physical impediments that separate one side of a border from another. Borderlands are mysterious geographies, full of deceit and magic tricks. This book is a love story written to such places and the people who inhabit them. The games played there are really about more than life and death—they are about drawing substance from the dream. This book really is worth considering every time someone thinks or speaks on the certainty walls may or may not defend.

Authority by Jeff VanDerMeer (2014) 

                            

First, I’m not sure where the spaces and capitalizations should be for Jeff’s last name. I looked at the book and online and I’m not sure anyone’s spelling it consistently. Maybe there’s more than one Jeff Van Der Meer. Anyway—

it’s in how the last scene just allows all the tension and repression and running on a wheel to just uncoil into the great unknown of whatever the third book in his Southern Reach series holds in store. Well done.

Salvage the Bones by Jesmyn Ward (2011)

For me, the natural comparisons are to The Buest Eye, To Kill a Mockingbird, and Swamplandia! In that sense, this book belongs on high school reading lists. I want my own daughter (who is currently just shy of six months old) to read it, if only for the strength to be found in the last line.

Bryan Harvey tweets about books and basketball mostly @LawnChairBoys.

Read Everything That Dunks Must Converge (a novel in 3 Acts) at You Can't Eat the Basketball

(Cover art by Todd Whitehead)

Things have really slowed down here at LCB, and I feel kind of bad for that. Posting here is a sentimental affair; aside from black and white marble journals, I’ve written here more often and longer than anywhere else. On the other hand, I’m not sad at all. In the last couple months, I worked to set up You Can’t Eat theBasketball. 

A world of child soldiers and cowboys: 'Beasts of No Nation's' Extended Family Tree

And AK-47s that they shooting into heaven

Like they're trying to kill The Jetsons

                                                  --Lupe Fiasco, "Little Weapon"

Cary Joji Fukunaga’s film Beasts of No Nation (2015) began its journey as a novel by Uzodinma Iweala. Published in 2006, the film’s hypotext appeared on bookshelves a year earlier than Ishmael Beah’s bestselling memoir A Long Way Gone, which, although categorized as nonfiction, also began as a novel in a creative writing workshop. Around that same time, in 2008, Emmanuel Jal released his album Warchild, which received critical acclaim from publications like Rolling Stone. In other words, a general discourse about boy soldiers, colonialism in a post-colonial world, the relationships between violence and natural resources arose in the middle of the twenty-first century’s first decade, and this discourse could be equally packaged as either an entertainment commodity or a curriculum for high schoolers and neighborhood book clubs.

Early summer reads: Paying urban rent, tennis balls made from hair, masked men, & stories I didn't understand

Image taken from the teaser for the book.

Evicted: Poverty and Profit in the American City by Matthew Desmond (2016)

The most poignant aspect of Desmond’s writing is how he understands the conjoined relations between experience and data. The first 292 pages of Evicted focus primarily on the lives of tenants in Milwaukee’s urban neighborhoods. These tenants are mostly single mothers and the children for which they struggle to provide. These stories immerse the reader in the everyday lives of the urban poor, and their battles become more real and less imagined through Desmond’s prose. In these sections, he sprinkles statistics amidst the testimony, but the people are not lost in the numbers. And yet his epilogue “Home and Hope” is twenty or so pages of data-driven argumentation. The shift is beautiful and exactly as it should be. Moreover, Desmond does not hesitate to propose solutions to a crisis he has both recreated through story and sketched with numbers, and the result is the whole elephant in the room, not just a trunk, not just a tusk, but the entire, unavoidable beast.

The end of history, or Andy Murray's attempted rivalry with Novak Djokovic

As of June 5th, the tennis season is through Roland Garros. Wimbledon will start before the end of the month. In between those two swells in the Grand Slam ocean, Andy Murray made history by winning the Queens tournament for a fifth time. He is the only player to do so, having laid waste to Milos Raonic in the tournament's championship match. This summer has also seen Murray reunite with his former coach, Ivan Lendl, in order to start winning Grand Slams again, which is the sort of history that tends to matter most in the tennis world. Of course, this accomplishment would also entail solving the Novak Djokovic conundrum. 

Truth and lies in Pixar's 'The Good Dinosaur' (2015)

A bird in the Venerable Bede's monastery.

Bob Peterson and Peter Sohn’s The Good Dinosaur (2015) is one part lie and another part truth. These ingredients do not make for a particularly unique story. Rather they spin from the DNA of past fiction a tale that is something less than myth and a bit more than history.

To their own devices: A reflection on Pablo Larrain's 'The Club'

A man stands on a beach, holding a long pole. He turns in a circle. Tethered to the pole is bit of fur, possibly a rabbit’s. A dog chases the fur. The man drags the fur in the sand. The dog lowers its neck. The man raises the fur high into the air. The dog raises its neck and snout. The dog chases the fur in orbit around the man. He is the center. He is a priest.

Number of the Day: Duncan turns 40

Or four thousand. Who knows? So it is written. So it shall be done. Or, as Duncan once said to Ramses, "Dungeons and Dragons was a much cooler game when it was real."

Work in the Hardwood Paroxysm Quarterly (Vol. 1, Issue 3)

Art by Elliot Gerard

Because I have a hard copy arriving in the mail sometime, I will probably comment more on this later. After all, anyone who knows me knows that if you put me near a computer I waste a half hour for every five minutes of productivity, which means for me to say anything of note I will need the hard copy that is currently en route.

Translating the word Wahoo

College towns are insular places. They feel like the world entire to freshmen. They start feeling cramped to seniors. Charlottesville is one of these towns. Tucked between the Shenandoah and Richmond, the town possesses a hint of Washington Irving’s narrative fiction—ghosts abound in Charlottesville. Thomas Jefferson is over one shoulder. Ralph Sampson is over the other. Somewhere on the Lawn is a room where Edgar Allan Poe toiled away, most likely in misery, or at least anticipating misery. Perhaps Sampson is nothing more than Poe’s imagination stretched so thin on a rack that his knees buckle and break. Oh! The misery!

If you're not teaching Jesmyn Ward's 'Salvage the Bones,' think about it.

The words and sentences and paragraphs in Jesmyn Ward’s Salvage the Bones (2011) gather like pollen on a car hood; slowly, but surely, coating readers in a golden fleece of Southern mythology. The beauty and power of these particles is how they gravitate towards the body and spirit of Esch, whose knack for seeing and surviving in the world of Bois Sauvage, Mississippi walks in the literary footsteps of Scout Finch and Huck Finn and Claudia MacTeer.

Still, even though these other characters made it through the fire, Esch’s journey always feels so much more flirtatious with apocalyptic forces, as if by not already being canonized she is in even more jeopardy than her iconic predecessors. And then there is the hurricane.

As she reads Greek myths, watches one brother play basketball and another raise dogs for fighting, little Esch’s whole world appears ready to topple into the hollowed Pit below her family’s homestead. And then there is the hurricane.

A contemporary peer of Esch’s would be Karen Russell’s Ava Bigtree, from Swamplandia! (2011). Both are the daughters of deceased mothers. Both girls live incredibly lonely lives. These are the girls clinging to every scrap and thread of a bare childhood, because, to them, that childhood is the world entire. They have a friend in Hushpuppy from the film Beasts of the Southern Wild (2012). Except all three girls live such intimately isolated lives that they could never know of the other, of anything else other than what they know. And, in this, they are always at the center.

And then there is the hurricane.

Image from The New York Times

This new wave of Southern girl protagonists is so miraculous because of how each girl is defined through movement. Hushpuppy dances and dashes. Ava wrestles. And, in the case of Esch, she swims, runs, and, unfortunately, has unprotected sex with multiple partners.

For much of the book, her brothers’ friends view her much as they do the dog China. They see her for her sex, for her ability to breed, and yet they do not recognize her fighting spirit—her power. When she first becomes pregnant, the mystery gathers as a burden inside her. And then there is a hurricane.

Esch’s pregnancy runs in parallel with hurricane season. The storms gather and disperse and gather again. Weather reports come and go. The life inside her does not. Eventually, she cannot hide it, and the storm comes. Yet this storm is an actual storm, rather than a metaphorical judgment of her youthful missteps. The Gulf Coast is left in ruins. She is not. And, in the midst of post-apocalyptic debris and nothingness, the burden buried inside of Esch's body lightens with hope.

At the novel's end, the characters gather round a fire, waiting for a runaway dog to return, waiting for a dead mother to rise up, beside a fire they wait. And there, beside them, is Esch, a soon to be mother, at the center of the world entire. And there was life.

Bryan Harvey tweets, mostly about basketball and nonsense, @LawnChairBoys. 

I'm sorry Atlanta twitter (ooh) I am for real.

Yesterday, an article of mine about the Atlanta Hawks playing the Golden State Warriors went up at Hardwood Paroxysm (thanks to Ian Levy). I didn’t really think much of it. Whenever I guest post somewhere, the article goes up, a couple tweets and retweets occur, and then I usually don’t hear anything else about the piece. Like most writers or aspiring writers, I’m already working on something else. But yesterday was different. The good people of Atlanta, or at least the good people of Atlanta on Twitter, did not, at least from what I could tell, enjoy the article or my opinions.

What Oscar forgot: Finding Teyonah Parris' formation in Chi-raq

If anything, himself. 

First, Spike Lee’s Chi-raq (2015) is, especially upon one’s first viewing, an uneven, or at least unwieldly movie, and reactions to the film reveal it as such. After all, while the film garners only a 5.7 rating on IMDB, the film also topped Paste Magazine and The NewYorker’s best films of the year lists. The metamorphic girth of this satire makes it typical of Spike Lee’s artistic wheelhouse, which has less to do with George Lucas pastiche and Stephen Spielberg perfection than Woody Allen’s strolling rants. Even more, Spike Lee’s New York sensibility—his ranting away from traditional plot structures and streamlined coherence—places him in constellation with African-American satirists doubling as novelists.

Damian Lillard, his numbers and his words

This past Friday the Portland Trail Blazers handed the Golden State Warriors only their fifth loss of the season. In this upset, Portland’s point guard Damian Lillard turned in an iconic performance in which he scored 51 points. The cliché structure of that lead sentence and the miracle nature of Lillard’s performance are, for the most part, self-evident. What’s not self-evident, however, is why this game was relegated to the backchannels of the NBA universe. You could not and would not have seen it on ESPN, TNT, or TBS, which means the phenomenon of Lillard out dueling not just Steph Curry, who had 31 points, but the entire contingent of Splash Brothers is an event left to the imagination.

In a not-so-subtle act of self-promotion, I imagined such a performance looking something like “Damian Lillard was Sentenced to Prison inFrench Guiana”, at The Baller Ball. However, I wrote this bit of fiction in the days leading up to Lillard’s explosive proclamation, when the politics of basketball saw fit to leave him off the Western Conference’s All-Star roster.

The piece I wrote explores the relationship of Lillard to the Portland franchise. After all, a year ago the Blazers could still imagine themselves as title contenders, for they featured one of the best starting lineups in all of basketball. The offseason watched all of that disappear suddenly into what is now a Portlandia diaspora. Good bye, Batum. God bless, Wesley Matthews. You are missed, Robin Lopez. Cursed by thy name, LA! In this wreckage, the Blazers should have died. But they have not. Lillard (and CJ McCollum) keep them fastly alive. And the team currently sits ready to assume the Western Conference’s seventh seed.

What I find so fascinating about Lillard and the Blazers is how his taking the franchise’s reins is about more than basketball. His association with Adidas is well-documented, but he is also quickly becoming the one of the League’s most vocal stars. He is a rapper, but his raps are also as political as they are personal. There’s this freestyle on Sway’s radio show that’sworth a listen, and there’s also this video which debuted in the limelight of aTNT prime time game. These attributes, as much as his point guard skills, are why Lillard follows in the footsteps of a Bill Walton or Kareem Abdul-Jabbar. And, moreover, they’re also why the basketball court is such an easy staging area for social commentary and allegory. 

Maybe I'm wrong, but Damian Lillard feels like something bigger than a basketball player. 

Bryan Harvey tweets @LawnChairBoys. 

On watching tennis, or beating against the boundary

The last few years I’ve watched more and more tennis. I’ve mentioned this before, probably many times before. Anyway, much of this rise in my attention to a sport I previously ignored is due to my wife, Gillian. Tennis is her favorite sport to watch. We also play each other with some frequency, although, because she’s four and a half months pregnant, we haven’t played in some time. The reason I think both of us enjoy tennis so much is that even though we each have particular players we pull for, the fluidity of the sport demands and allows for supporting quality play more than a particular player. In other words, you root for the long, creative point over the short, decisive point. You root for order that frays into chaos and not sudden trauma.